"Gil Rose conducted with admirable command."
- THE NEW YORK TIMES
Acknowledged for his “sense of style and sophistication” by Opera News, noted as “an amazingly versatile conductor” by The Boston Globe, praised for conducting with “admiral command” by The New York Times, and KUSC calls him “one of the most adventurous conductors in the world today”. Gil Rose is a musician helping to shape the future of classical music. Over the past two decades, Mr. Rose has built a reputation as one of the country’s most inventive and versatile conductors before the public.
His dynamic performances on both the symphonic and operatic stages as well as over 100 recordings have garnered international critical praise.
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2024 GRAMMY Nomination for Best Opera Recording for "The Lord of Cries"
BMOP/Odyssey Opera's recording of John Corigliano & Mark Adamo's "The Lord of Cries" nominated for GRAMMYs
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“Gil Rose conducts a performance of arresting character, finesse and instrumental prowess..”
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“...sculpted with conductor Gil Rose’s characteristic verve and clarity.”
Latest Reviews
"Moravec's music is performed splendidly by the BMOP and Rose, and once again the company has done the composer and the listening audience a great service in making such material physically available and in such fine form. As the orchestra inches ever closer to its 100th formal release—Moravec's is its ninety-seventh—there's no better time than the present to acknowledge the vital contribution Rose and the ensemble have made to the contemporary music landscape.”
- Textura on Paul Moravec's The Overlook Hotel: The Suite from "The Shining," April 2024
... the recording offers a superb sampling of the composer's artistry and stylistic approach, especially when the material's delivered with so much enthusiasm by Rose, the BMOP, and the soloists.
- Textura on Joan Tower's Piano Concerto (Homage to Beethoven), January 2024
Marc-André Hamelin, the Boston Modern Orchestra Project, and conductor Gil Rose give a dashing performance on this release (BMOP/sound), which also includes three other Tower concertos. Of those, “Red Maple,” for bassoon and strings, shows how delicate and imaginative Tower’s textural palette can be.
– David Weininger, Boston Globe on Joan Tower's Piano Concerto (Homage to Beethoven), December 2023